Thursday, August 2, 2007

Deo gratias et Mariae

Earlier this afternoon I did a presentation on the history and style of Iconography and its relation to us today. I focused on the Byzantine tradition. The Byzantine form is know to be more proper/authentic. I present pieces by Elias Nicholas Katsaros. Elias was trained by George Patriachia and Reverend Father John Spilio; both teachers were direct student of the great Byzantine Iconographer Fotis Kontoglou (1895-1965).

Now here's the good news: I was awarded 90 marks! Deo gratias et Mariae.

Ps. Edward, your explaination in Constatine's Art History Class video (Jul '06) was very useful.

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Friday, March 2, 2007

Contempory Art

The Holy Father looking unimpressed at a abstract sculpture of the Blessed Mother.

For more on Liturgical Art and Icons, read the summary of Fr. Mark Melone's lecture to FSSP Seminarians last December.

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Apologia Against Those Who Decry Holy Images

(By St. John of Damascus, via Medieval Sourcebook; thanks to Karen)

St. John the Climacus, St. John of Damascus, St. Arsenius

An Excerpt:

We proclaim Him also by our senses on all sides, and we sanctify the noblest sense, which is that of sight. The image is a memorial, just what words are to a listening ear. What a book is to the literate, that an image is to the illiterate. The image speaks to the sight as words to the ear; it brings us understanding. Hence God ordered the ark to be made of imperishable wood, and to be gilded outside and in, and the tablets to be put in it, and the staff and the golden urn containing the manna, for a remembrance of the past and a type of the future. Who can say these were not images and far-sounding heralds? And they did not hang on the walls of the tabernacle; but in sight of all the people who looked towards them, they were brought forward for the worship and adoration of God, who made use of them. It is evident that they were not worshipped for themselves, but that the people were led through them to remember past signs, and to worship the God of wonders. They were images to serve as recollections, not divine, but leading to divine things by divine power.

Read the full Apologia.

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